Hotel Room of the Future Winners Announced

Earlier this year two rule-breaking Louisville-based companies and Monogram partners, 21c Museum Hotels and FirstBuild, joined forces to transform the hotel guest experience through The Hotel Room of the Future Challenge. They asked designers, makers, engineers, artists and more to submit their inventive, functional designs to create the ultimate hotel stay. After receiving dozens of submissions and spending countless hours evaluating each and every idea, the judges (with the help of community voting) have come to a conclusion.

Curious about the winners? Visit the FirstBuild blog to learn about the winners and their exciting concepts.

 

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Designer Profile: Garrison Hullinger

The Chicago Monogram Design Center (MDC) brings designers to Chicago, Illinois, for two-day experiences to learn about Monogram, the design process, our appliances – and even cook with them! We interviewed each designer to learn a little more about their background and design experiences. Today we’re featuring Garrison Hullinger with Garrison Hullinger Interior Design based in Portland, Oregon.

SRFD: How did you become interested in design?

Garrison: When I was a kid, my father worked for my uncle, who was a custom home builder. My brother and I would get dragged along to the job sites and I was always fascinated during lunch time to watch them draw out plans on napkins. That interest in remodeling and design has been a part of my entire adult life. My husband and I have remodeled numerous homes over the years, and many times I would get asked by friends and neighbors to help them with their design projects. I was always reluctant to help others, knowing I didn’t have the formal training. I finally took the dive in 2010 and started my design firm in the attic of my home and hired a young lady who had been laid off from a huge firm during the great recession. She had the technical skills and I had the ideas. I hired three more part-time employees and finally, neighbors and others could hire me for their design work.

SRFD: Tell us about a recent project you really enjoyed.

Garrison: I’m really excited about a remodel project that we’re doing for a couple who bought the home a few years ago. The home was built in 1971 by Bob Rummer, whose homes are influenced by the Joe Eichler homes of Northern California. The home has a central covered atrium and all the rooms connect to the central core of the home, bringing a lot of daylight into the home. The owners have asked us to bring the home into the twenty-first century. We’re expanding the master closet, updating the bathrooms, creating a laundry niche (with doors off the hallway) and a completely new design for the kitchen. Amid all this change, we have made a very conscious decision to make sure none of the original concrete floors throughout the entire home are touched.

SRFD: A trend you’re over?

Garrison: I’d really like to see the accent wall in a room go away, though I don’t mind a feature wall. I’d much rather see someone go the extra mile and add wallpaper, shiplap, or reclaimed wood to a wall than simply paint it an obscure color they found on a paint chip at the hardware store.

SRFD: A trend you’re excited about?

Garrison: Mixing metals. I’m so happy that clients are really understanding my desire to mix metals in a space – if everything is brushed chrome you’re more likely to hate it in a few years, but if you allow me to mix in some black, polished chrome, and even a little copper it will stay fresh much longer and won’t leave a time stamp on the project.

SRFD: What did you learn during the Monogram Designer Training Session in Chicago?

Garrison: I learned so many great things about cooking with induction cooktops while attending the Monogram Designer Training session. I was able to cook on the induction cooktop and see how much faster it heats up than the gas range and how much easier it is to regulate the temperature. It was so intuitive – and that’s saying a lot for someone who doesn’t cook much. Thank you again for the opportunity to spend several days in your gorgeous showroom in Chicago and to learn from the Monogram team.

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Welcome to the Future

From touch screens that deliver step-by-step recipes to countertop herb gardens grown by LED lights, we take a look at how hi-tech kitchen design can create a healthier lifestyle. Tell us your thoughts!

Designer Profile: Jay Britto and David Charette

We had the pleasure of meeting Margaret Charette with design firm Britto Charette in March when she attended the Design Bloggers Conference in Los Angeles, California, and we shared her blog post about the event here. Today we are profiling the founding principals of Miami-based Britto Charette, Jay Britto and David Charette.

Jay Britto, founding principal of Britto Charette, has spent more than a decade creating high-end residential interiors. His knowledge of innovative trends and his unsurpassed contemporary style have earned him an impressive and loyal clientele. Born and raised in Peru, Jay grew up surrounded by rich colors and a vibrant culture that continue to inspire him. His love of all things beautiful translates into everything Jay does.

David Charette, founding principal of Britto Charette and licensed interior designer, has completed compelling design projects around the globe. He earned a BA and MA in architecture from the University of Detroit and he has more than 20 years of experience working with city planners, contractors, regulatory agencies, and architects. David’s impressive portfolio of progressive design initiatives includes luxury residential interiors, corporate campuses, GSA and higher education. His experiences also include urban planning, master planning, zoning, streetscapes and interior design.

SRFD: How did you become interested in design?

David Charette: After numerous trips as a child to the Detroit Institute of Art and after traveling across the United States with my family in the summer, I started to develop a great interest in design. I thought skyscrapers were the coolest things in the world … Still do! Reading late into the night was also very inspiring. My parents would unscrew the fuses in my room so I’d have to put the book down. But the biggest thing was Lego’s! Having a limited amount of them forced me to constantly tear apart one idea to create another.

Jay Britto: My interest in design evolved, really. Music was one of my first passions and essentially opened the door to creativity and the arts for me. At eighteen, when I was struggling with affording college and choosing a major (architecture or interiors), music was always there, pushing me forward. Patterns and rhythms in music just seemed to be echoed in everything around me. That’s when I realized that my calling was actually interiors. I could walk into a space and visualize the textures, colors and patterns that it needed.

SRFD: Tell us about a recent project you really enjoyed.

David Charette: We have been working on a penthouse at the Ritz Carlton. We began working early-on with our client and the architect of record—before construction even began—which made for great communication and saved money for the client. Because it’s on the top floor, we have 15’ ceilings, which are really unprecedented in penthouse design. We were able to take full advantage of the views.

SRFD: A trend you’re over?

A tough question because we never want to offend anyone, but if pressed to answer …

Jay Britto: Mica wall covering.

David Charette: Textured MDF panels.

SRFD: A trend you’re excited about?

Jay Britto: I love the mixing of metals. Designers and clients are no longer conservative about matchy-matchy, all brass or all chrome. It’s a great look.

David Charette: I’m really excited about the advancement of LED light fixtures. They have revolutionized design with their efficiency, color options, dimmer controls and light dispersement. The possibilities are fantastic.

Refrigerators and Freezers Part Ways With Monogram Columns

Kitchen renovations historically have revolved around your wide-open refrigerator and freezer space, which were always one unit. The problem? This doesn’t align with how people live anymore; how they cook, entertain or want their kitchen to be designed. The solution: Monogram Columns.

“Kitchen design today is all about customizing the space to match a homeowner’s lifestyle, and refrigeration and freezer appliances traditionally haven’t offered the flexibility to do this,” said Michael Mahan, Monogram General Manager. “New Monogram Columns make it possible for homeowners to seamlessly split up the refrigerator and freezer and install them hidden in plain sight, in the places that make the most sense for their kitchen design and lifestyle needs while providing a uniform look.”

For the chefs who only keep fresh foods on hand, two refrigerators in the main hub of the kitchen might make more sense, with a freezer tucked away in a pantry. Or, for large families who meal prep for the week, having equally large refrigerator and freezer columns would be the most important. The opportunity to mix, match and relocate knows no bounds.

New Monogram Columns make it possible for homeowners to seamlessly split up the refrigerator and freezer and install them hidden in plain sight, in the places that make the most sense for their kitchen design and lifestyle needs while providing a uniform look.

Sophisticated Design Features
Monogram focuses on using high quality materials, and with that comes better design. For a customized look, Columns offer adjustable panels and flush installation for both the refrigerator and freezer to ensure the design blends in perfectly with cabinetry, guaranteeing a seamless look, every time. Matching panels allow the Columns to virtually disappear.

Columns are also designed to fit the space of a traditional built-in refrigerator, making them perfect for retrofit installations. Retrofit capability allows homeowners to replace a 48” or 42” built-in refrigerator with two columns: No cabinet or electrical modifications necessary.

“Monogram Columns are designed to look as good inside as they do on the outside,” said Mahan. “Ramp-up LED interior lighting throughout the fresh food and freezer compartments make the interior look spacious, inviting and clean.”

Additional luxury features include:

  • Aluminum extruded touch points
  • Full extension, soft close drawers
  • Temperature-controlled drawers that offer added storage flexibility for items like deli, fruits and vegetables
  • Nano-coated, spill-resistant glass shelves with aluminum trim
  • Autofill pitcher that automatically refills cold, filtered water to be ready on demand (premium refrigerator model only)
  • Freezer icemaker and full-extension drawer with removable bin

Monogram has expanded its wholly-owned subsidiary plant in Selmer, TN, specifically for this new product line. Monogram Columns will be available in October 2017 in both refrigerator and freezer models, with the option of stainless steel or custom panels. Learn more at monogram.com.

 

Introducing Monogram Chef Dana Klitzberg

Welcome to Chef Dana Klitzberg, the new East region chef for Monogram. She will be leading cooking demonstrations at a variety of events with the Monogram team across the region. Recently designer engagement leader Susan Cozzi interviewed Chef Dana to learn more about her background and cooking philosophy.

SRFD: Tell us about your background as a chef.

Chef Dana: I never set out to be a chef! After graduating from the University of Virginia, I came straight to NYC to work in public relations, in fashion, lifestyle and entertainment. After years of event planning, working with restaurants and caterers, and food and beverage clients, I got the itch to work in the food sphere. As a literature major, I’d always loved writing, and the food media world was just beginning to evolve: this was before digital media, the Food Network was brand new, and magazines like Gourmet and Food & Wine captured my imagination. I decided to quit my PR career and go to culinary school in NYC, to then join a food media organization armed with a basic culinary knowledge. But when my professors nudged me in the direction of completing my mandatory externship at a restaurant instead of a food media company, I acquiesced. I worked at one of the top Italian restaurants in Manhattan, San Domenico NY, where I was literally the only non-Italian in front or back of house when I started there. It was so completely different from working in an office environment, and I loved the atmosphere, the teamwork, the creativity, and also the intensity. I was a ballerina for most of my life, and the intensity and technique paired with artistry in dance and performance are also at play in the professional kitchen, and this really resonated with me.

So, I was hired out of my externship and stayed at San Domenico for a year before heading over to Rome for further restaurant training. What was supposed to be a four month stint turned into eight years! You could say I fell in love with my Roman life. Professionally, it was often a struggle, because being female and American in the Italian professional kitchen are two strikes against me, going in. But in time I won over my colleagues and executive chefs. And I was eventually hired as executive chef at two different restaurants in Rome (a first in Italy!). I created, along with close friends of mine, the first American brunch in Rome — a “pop-up” before the term was even coined.

Now I cater and provide private chef services, teach cooking classes and lead culinary tours (I was the first person in Rome to do this in English), and I write about food and restaurants for various publications, including Fodor’s guides and Time Out guides. I also consult for restaurants, and occasionally I style food for photo shoots. I have a food blog and I’m also working on a memoir with recipes. I love the many facets of the food industry, and by wearing several different hats, I don’t get bored and I don’t experience burnout. I learn through travel, through reading, through meeting other food people. And there’s always, ALWAYS something new to learn!

SRFD: What is your cooking philosophy, other than “using the freshest ingredients”?

Chef Dana: My background in Italian and Mediterranean cuisine means that “farm-to-table” was never a trend because it’s always the way things have been done. So yes, starting with high quality, seasonal ingredients is pretty much a given with me. I love to cook food with history, and with meaning for people (myself or my clients — or both). Food is nostalgia, and it’s the future. It is culture, it’s art, it’s entertainment. It can have a sense of humor. It is mood-altering, and I like it to be uplifting and comforting at times. On the whole, quite simply, I like to cook what I like to eat. This is not terribly limiting, of course, as I have a varied palate and I like most things. But I particularly like food from sunny places, whether that means equatorial areas like Southeast Asia, Africa, Brazil and the Caribbean, or the Middle East and the Mediterranean, two areas that feel like home to me. I honor regional traditions and follow the ethos of “what grows together goes together.” Everything you can make from scratch, within reason, is better made than purchased. And I also believe that you get out of food what you put in, so I try to cook when I am happy, interested and “in the zone.” It may sound silly, but I believe it truly makes a difference in one’s cooking!

SRFD: What’s always in your fridge at home?

Chef Dana: I have a fridge full of condiments, both homemade and purchased, many of which are a little esoteric and/or international: tamarind paste, guava jelly, fig mostarda, kimchi, ‘nduja sausage from Calabria, squid ink, preserved lemons, kumquat simple syrup. I always have some homemade dressings and sauces (a good pesto, for instance). Then staples like eggs, butter, parmigiano cheese, lemons, lettuce/greens, bottled water, and a crisp white wine. And dark chocolate in some form, always!

SRFD: What makes you happy?

Chef Dana: I’m an October baby, so I love a gorgeous fall day and a stroll, a great museum, musical theater, or the ballet (I danced for 25 years). I am also a water person, in a big way, so beaches and coastlines make me happy, as does being out on the water or in the water … or eating and drinking next to the water. Great food and conversation with friends and family can never be overestimated. I adore the Mediterranean idea of a long, lingering, multi-course dinner with different drinks at every course, then digestivi. Italians have mastered this art. I’ve also always been a huge fan of comedy, so heading to a stand-up club or improv show makes my day a good one.

SRFD: What do you see in the cooking world that you wish you could change?

Chef Dana: I’m an unabashed feminist — not the ’70s bra burning variety, but I was raised surrounded by men and a strong father figure, and my Mom always taught me that women could do anything men could do. So, I’ve always been an advocate of women in traditionally male roles. The kitchen is one of those male-heavy places, and it can be an incredibly sexist and competitive work environment. I’ve enjoyed knocking down barriers and far surpassing expectation, and winning the guys over by honing and then demonstrating my skills in the kitchen, by killing them with kindness and taking things in stride, and sometimes, when needed, by giving them a taste of their own medicine, whether that’s a display of machismo or being able to take some serious ribbing and giving it back to them!

I must also say that I am encouraged by the huge boom in the interest of careers in cooking, but am disappointed at those in this young generation who expect to become “celebrity chefs” (whatever THAT means!) or restaurant executive chefs and owners after working for 18 months or two years out of culinary school. The food industry is certainly intense and physically demanding, so youthfulness helps in that sense. But you also need experience more than anything else. Ask any great chef, like an Eric Ripert, and they will tell you: you need to put in the time. Peel potatoes and butcher fish for a couple of years, and keep your eyes and ears open around you. Don’t expect that the world should be yours so soon. Everybody needs to do the grunt work in the beginning.

SRFD: What have you learned from working with Monogram appliances?

Chef Dana: I’ve learned that technology and innovation can be applied across various categories to improve very different items. For instance, Monogram applies technology gleaned from its aeronautics division: the ball bearings used on airplanes are built to resist high heat, so Monogram uses them for its rolling oven racks so the racks can remain inside when the oven is in self-cleaning mode. GE invented the halogen bulb, and Monogram implements this technology as part of its speed cooking feature in the Advantium oven. These are just a couple of examples of the thoughtfulness that goes into the creation of Monogram products. I’ve also become much more aware about the particulars of any equipment on which I work.  As a chef I’m always looking to improve, innovate, refine — and understanding one’s equipment is essential to this growth.

SRFD: What can home cooks learn from you?

Chef Dana: I have lots of experience cooking in high-pressure situations in restaurant kitchens, and many of those kitchens were filled with assistant chefs and dishwashers and servers who did not speak my mother tongue. I also have vast experience catering in the strangest of locations, under very odd circumstances. But now, I most frequently cater and cook as a private chef in clients’ homes, and so I’m well aware of the necessity of adapting my cooking and my recipes to the home cook, to the realistic kitchen, not just the restaurant kitchen. Home cooks can learn from my adaptability and flexibility, which will make their work in the kitchen feel a lot less like work. Also, many home cooks don’t realize that half the battle of cooking for family every night, for home entertaining, and for keeping a pantry and fridge that will keep the whole family happy and healthy, is planning. PLANNING. I’ve cooked for 300 people in a kitchen smaller than most Americans’ laundry rooms — it just required planning and organization. Once this is taken care of, the cooking part is just fun!

Designer Profile: Alberto Villalobos

We had a great time at the Monogram Designer Summit in February with all of the designers and participants. As a follow-up, we interviewed some of the designers to learn a little more about their background and design experiences. Today we’re featuring Alberto Villalobos with Villalobos Desio based in New York City.

SRFD: How did you become interested in design?

Alberto: I became interested in interior design from an early age. From building tree houses to playing with Legos, I always had an interest in creating spaces and playing with proportions that led me to interior design down the road.

SRFD: Tell us about a recent project you really enjoyed.

Alberto: My business partner Mercedes and I enjoyed working on our latest project in London. It was a great experience to work there with new contractors and getting out of our comfort zone in the States, by meeting new vendors. The client was really easy to work with which added to the experience, plus shopping in Europe is always fun.

SRFD: A trend you’re over?

Alberto: I am over finishes that are not true to nature. My business partner and I prefer natural materials that are real, we appreciate craftsmanship and details. For example, when we use ceramic, we like ceramic that is true in nature, not one that reproduces another element such as wood.

SRFD: A trend you’re excited about?

Alberto: We are excited about the rediscovery of terra-cotta. Again, it is a natural material that is noble and relates both to our Latin and European backgrounds.

SRFD: What did you learn during the Monogram Designer Summit in Louisville?

Alberto: My favorite take-away from the summit is that knowledge is not understanding, a very interesting principle. It has helped me to see things differently and makes you realize to always question yourself. What a great tool for the design practice.

Kitchen Decisions: Where to Place Your Hardware

Does it go in the middle of the drawer, on the edge or nowhere at all? Get advice on where to put the knobs and pulls from the article San Francisco designer Barbra Bright wrote for Houzz.

 

Designer Profile: Patricia Davis Brown

We had a great time at the Monogram Designer Summit in February with all of the designers and participants. As a follow-up, we interviewed some of the designers to learn a little more about their background and design experiences. Today we’re featuring Patricia Davis Brown with Patricia Davis Brown Designs LLC based in Vero Beach, Florida.

SRFD: How did you become interested in design?

Patricia: I think I was born a creative and I would have found my way to the arts one way or another. As a kid, I remember riding in the backseat of my parent’s car looking at the buildings as we drove past. To entertain myself, I would pick a really worn looking place and imagine how I could make it beautiful. I think you are born a creative, it is in your DNA. Even though I am educated in design and hold a license in interior design and certified in kitchen and bath design, I believe the talent is within, education or not.

SRFD: Tell us about a recent project you really enjoyed.

Patricia: I like a challenge and to me, that is remodeling an old property into a great design. I am currently working on a project located on the intercoastal waterway. The view is amazing, but the original property was a designed poorly and really had never had the design thought out. I believe that they just had maxed the property lines with a building and it was oddly shaped and needed help. I am pretty sure there was no architect involved with the original design, the home had no distinct architectural direction. Properties like this need to be eclectic and the personality have to be designed into it. My style for this project is industrial contemporary. I am bringing in a balance of textures and letting the beautiful views beyond the windows play an important roll in the design. The main floors are concrete and the ceilings are open beamed with a painted rub through finish. I am maximizing all the windows to increase the views into the space.

SRFD: A trend you’re over?

Patricia: Carrara marble has been done and I think it is time for another countertop material to shine. I have never been one for trends. There are lots of material options out there and I think a designer that thinks outside the box is able to set the trends. Let’s just take marble tops as an example. A designer should expand their library of materials in countertop to include some amazing finishes that they can bring to their clients like, glass and lava stone. I love mixing countertops materials in a kitchen to create shapes and artistic details.

SRFD: A trend you’re excited about?

Patricia: I am digging the use of metals in interior design. There are so many metal finishes to choose from, rose gold, brass, black, etc. and it gives designers the tools to create an original design for each and every client. I also, like the large groupings of chandeliers that are being used over islands and dining tables. White walls are trending now and I love how it sets up a blank canvas for popping art and other points of interest in a room.

Exciting Monogram News!

Thanks to an impressive team effort, a refreshed and rebuilt Monogram website launched yesterday! The updates include a full responsive redesign of over 5,000 pages across the site, supported by extensive usability testing and dozens of interviews conducted in an effort to better understand the target audience. Recognizing the growing trend of browsing on mobile devices, the fully responsive site will allow designers to easily access specs and other key information from anywhere. We have also added a new trade professional page with easy links to critical resources.

Please take a look at the new site and let us know what you think!